Friday, June 20, 2014

Making Main Street: Buildings in Transition

Last Friday we enjoyed welcoming more than 100 people to an opening reception for the new art installation at the McConnell Mansion that coincided with Moscow's Artwalk.  Old friends and new acquaintances stopped by to see the beautiful prints of Kristin Carlson Becker, a local artist.  Her pieces are a perfect fit for the Mansion because each playfully presents the curious histories of many downtown buildings.  The colorful prints that make up "Making Making Street: Buildings in Transition" not only draw on historic photos but also on prints produced by Palouse Prairie students who worked with Kristin over the past year.  The results of this inventive collaboration are fun, lively, and intriguing.

The exhibit will be up at the McConnell Mansion for much of the summer, so don't miss your chance to see these unique tributes to local history in person!

Artist Kristin Carlson Becker discusses her prints with visitors

An old cigar display case from the Moscow Hotel displays a few prints, including that of the Moscow Hotel

The print exhibition is augmented by brief historical descriptions of the buildings and historic photos

The exhibition includes prints of twenty of Moscow's historic downtown buildings
  To see more of Kristin's work, visit her website here.

Friday, June 6, 2014

Conference Season

Recently I have been away to conferences, attending both the American Alliance for Museums (AAM) conference in Seattle as well as the Northwest Archivists conference in Spokane.  I would like to take a few moments of your time to share what I learned at these conferences and how I believe we can incorporate that knowledge into the Latah County Historical Society. 

At AAM 2014 I learned about the latest trends in the museums.  One of the more interesting sessions discussed the re-imagining visitor encounters with objects.  This session highlighted on catering interpretation to the families in creating exhibits and displays in order to drive engagement.  Another session that was particularly interesting was the idea of banishing the guided tour in historic houses.  According to their research only 38% of core museum attendees enjoy guided tours; therefore 62% of core attendees (people who self-identify as enjoying museums and visiting them frequently) do not enjoy guided tours.  This statistic has got me thinking about ways to interpret the McConnell Mansion without reciting a guided tour.  These ideas have gotten me thinking about changing the interpretation of the McConnell Mansion.  I do want to caution the readers that this change is not something that might happen overnight, rather with careful long-term planning.

As part of the AAM conference I went to a working lunch for the Historic House Network (HHN), a small facet of the AAM group.  This lunch session was a great way for me to meet other professionals working in historic houses.  It was interesting to meet other historic house professionals and talk about the common challenges in the field.  The most exciting part of this lunch was that the HHN is looking for leaders.  I applied for a leadership position with the HHN to provide more opportunities for historic houses to share their experiences and how they are thriving. 

One of the more fun parts of AAM 2014 was the Emerging Innovators Forum.  I was fortunate enough to present at the Emerging Innovators Forum this year, presenting Mobile Interpretation on a Shoestring Budget.  For this presentation I brought many QR Codes that I have been working on creating with the Latah County Historic Preservation Commission.  These QR Codes told the history of Latah County buildings and showed LCHS archival images.  To augment the presentation of the project I prepared an outline for attendees to take home that explained the process of creating QR Codes for use in their own institutions.  At this forum I received great feedback from attendees regarding this project.  The Emerging Innovators Forum was only open to attendees for a few short hours, however the insight I gained and people I met were invaluable.

The other conference that I attended was the Northwest Archivists conference in Spokane.  The focus of this conference was a bit different than the AAM conference since its only focus was archives.  This gave me an opportunity to meet with archivists in the area to discuss best practices in archives.  At this conference I was able to create a plan for re-organizing the rolling shelving here at LCHS.  I was also involved in some sessions that discussed some newer archival techniques.  One of the more interesting presentations discussed collecting active materials.  In order to do this the owner of the materials still needed to use the records.  Therefore the archive scanned the originals and handed them back to the owner.  These scans were then placed into a digital repository for use by researchers.  While this is not possible at LCHS at the moment I am watching this project closely as our stacks fill up at LCHS this may be a potential option down the road.

These two conferences have given me plenty to consider as I look for more challenges moving forward here at LCHS.  I would like to thank the Latah County Historical Society for supporting me in these two conferences and I am excited to bring these new ideas into our historical society.

 - Zachary Wnek
Museum Curator
Latah County Historical Society

Raise It Up! - A Flag Day Celebration

Each June 14th Americans celebrate Flag Day and commemorate the official adoption of the star-and-stripe-spangled banner on that date in 1777.  This year the holiday is taking on an added layer of significance because 2014 marks the 200th anniversary of "The Star-Spangled Banner."  In the fall of 1814, Francis Scott Key witnessed the bombardment of Fort McHenry in Baltimore's harbor by the British navy.  When dawn broke, Key was so moved to see the flag of the United States still flying over the fort that he immediately penned a poem on the back of an envelope.  Within weeks his poem, "The Defense of Fort McHenry," was circulating in eastern cities by way of broad sheets and newspapers. 

Image accessed at http://amhistory.si.edu/starspangledbanner/the-lyrics.aspx

The poem was eventually put to music and the name was revised, in part to reflect that it had taken on a broader significance, no longer just a remembrance of the War of 1812.  It was not until 1931, however, that Key's words were adopted as America's official national anthem. 

Image accessed at http://amhistory.si.edu/starspangledbanner/francis-scott-key.aspx

While most Americans know Key's first verse by heart, many may be surprised to learn that three additional verses were written in the days following the bombardment.  Below, you will find the entire text of "The Star-Spangled Banner."

The Star-Spangled Banner

O say can you see, by the dawn’s early light,
What so proudly we hail’d at the twilight’s last gleaming,
Whose broad stripes and bright stars through the perilous fight
O’er the ramparts we watch’d were so gallantly streaming?
And the rocket’s red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there,
O say does that star-spangled banner yet wave
O’er the land of the free and the home of the brave?

On the shore dimly seen through the mists of the deep
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines in the stream,
’Tis the star-spangled banner - O long may it wave
O’er the land of the free and the home of the brave!

And where is that band who so vauntingly swore,
That the havoc of war and the battle’s confusion
A home and a Country should leave us no more?
Their blood has wash’d out their foul footstep’s pollution.
No refuge could save the hireling and slave
From the terror of flight or the gloom of the grave,
And the star-spangled banner in triumph doth wave
O’er the land of the free and the home of the brave.

O thus be it ever when freemen shall stand
Between their lov’d home and the war’s desolation!
Blest with vict’ry and peace may the heav’n rescued land
Praise the power that hath made and preserv’d us a nation!
Then conquer we must, when our cause it is just,
And this be our motto - “In God is our trust,”
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave.


The Latah County Historical Society is proud to participate in the Smithsonian Institute's 2014 Flag Day celebration, collectively known as "Raise It Up."  Under the direction of the National Museum of American History, groups across the country are coming together this Saturday, June 14th to commemorate the creation of our beloved anthem and to join in on a record-breaking chorus of "The Star-Spangled Banner."  To find out more about this event and about the history of the song, flag, and more, visit the event site here.  


Join us at Friendship Square in downtown Moscow at 11:40 am on Saturday, June 14th to be part of "Raise It Up!" 

Monday, June 2, 2014

Historian Keith Petersen Introduces the Real John Mullan


Join us on Tuesday, June 10 at 6:30 p.m. at Moscow’s 1912 Center, 412 E. Third Street, as we launch Idaho State Historian Keith Petersen’s new book, John Mullan:  The Tumultuous Life of a Western Road Builder.
Between 1858-1862, Mullan constructed the first engineered highway in the Pacific Northwest, a road that helped cities like Walla Walla, Missoula, and Helena boom, and set the route for Interstate 90.  Today, that accomplishment is recognized with dozens of massive monuments, interpretive signs, exhibits, and highway markers.  But Mullan completed his road as a 32-year-old.  He lived nearly another half century.  Until now, his fascinating life after the road has been a mystery. 
Come learn about the real John Mullan.  We’ll have light refreshments and locally crafted beer from the Moscow Brewing Company, and Keith will be autographing books after his presentation.

Below is an excerpt from the Prologue of John Mullan.


John Mullan as he appeared as a young Army officer while constructing his road. Photo courtesy of Keith Petersen
This monument to John Mullan is in the town of Mullan, Idaho.  It is one of more than two dozen monuments that mark the road’s route in three states.  The Mullan Road is one of the most monumentalized events in American western history.  Photo courtesy of Keith Petersen

"Twenty-five-year-old Rebecca Mullan found herself in Manhattan on May 7, 1863, Cyrus Field at her elbow.  Yes, that Cyrus Field:  The “world-renowned parent” of the first transatlantic telegraph cable.  Field guided Rebecca through the grand Clinton Hall at Astor Place, selecting two seats from which to observe the evening’s lectures at the American Geographical and Statistical Society.  Rebecca intently awaited the night’s first oration, by Captain John Mullan, her husband of ten days, there to discuss the Pacific Northwest, a region he knew as well as any man; a place Rebecca would soon call home.
           "Rebecca sat anxiously as Henry Grinnell, the Society’s president and founder, advanced to the podium to introduce her husband.  Grinnell, retired from the family transatlantic shipping business, now focused on financing polar expeditions.  Grinnell Land, a peninsula deep in the Canadian arctic, bore his name, testimony to exploration philanthropy.  A heady atmosphere filled the Hall, but the thirty-two-year-old Mullan, well educated, self-assured, and the focus of considerable press attention himself as “The Northwest Road Builder,” confidently commenced his address.
            "Mullan described his time with Isaac Stevens’ Pacific Railroad Survey when he explored five possible rail routes through the Rocky Mountains.  He detailed his multi-year effort to construct a military road connecting the Missouri and Columbia Rivers, finally fulfilling Thomas
Jefferson’s vision when he had sent Lewis and Clark west fifty years earlier.  He narrated tales of the region’s Indians.
            "Mullan spoke on—and on:  thirty minutes, sixty, ninety.  Always meticulously well prepared for any task, Mullan’s zeal served him poorly on this evening. Henry Grinnell must have grown restless, for the main attraction remained to come, a report on Arctic explorations, now deterred well into the night.  Mullan’s discourse underwhelmed The New York Times, which charitably termed his presentation “a lengthy but still interesting paper,” before devoting the bulk of its story to the ongoing Arctic excitement.
            "As Mullan accompanied Rebecca out of Clinton Hall late that evening, it would not have occurred to either to ponder whether Mullan’s career might have peaked a few hours earlier as he prepared to give his invited presentation to the nation’s most prestigious geographical organization.  Until then, Mullan’s life had been an ascending arc:  Presidential appointee to West Point, explorer extraordinaire, Western road builder, aspirant to become Idaho’s first territorial governor, recently-appointed commissioner of a western railroad.  Rebecca and John, still relishing this honeymoon evening spent with luminaries, would have had no way of knowing that their future held considerably less predictability."


Friday, May 30, 2014

Dulce's Reflections from the American Alliance of Museums 2014 Conference

Last week I had the good fortune to join more than 4,500 museum colleagues at the 2014 American Alliance of Museums Conference, convened in Seattle over four beautiful, sunny days.  Recognized as the largest gathering of museum professionals in the world, the AAM Annual Conference brings together representatives from all types of museums (history, art, natural history, zoological, etc.), of all sizes (the National Museum of American History to community historical societies like our very own), and from all corners of the globe (every state and dozens of countries).  Such a diversity of attendees guarantees that panel discussions and even informal chats are inspiring and eye-opening.


As a first-time attendee, I was amazed by the range of topics covered in sessions.  In some time slots more than a dozen concurrent panels were offered, making it difficult to decide just which learning opportunity I should seize.  While every session I sat-in on was informative, there were two or three that particularly resonated with me.  This week I have been reflecting on what I learned at the AAM meeting, and thought I might share some of my "take-home messages" with you all.  In the coming weeks and months I hope you will see how these ideas are being applied here at home at LCHS.

 
Make your house museum a home museum.  We are fortunate to have access to the beautiful McConnell Mansion, a Victorian house that accurately depicts the upper-middle class aesthetics of the late-19th century and provides a space where the everyday material culture of the McConnell and Adair families can be presented.  The current interpretation of the Mansion, however, limits the sorts of stories we can tell about Latah County's history.  As we invite guests to look around a neatly organized and well appointed house, we may be educating them on the furniture styles of 1886, but we are missing an opportunity to examine how the inhabitants really spent their time.  One presenter at the Conference encouraged house museums to put debris in the wastebaskets or leave a quilt untucked on a child's bed.  House museums only feel sterile because we curate them so differently from our own homes.  I know this is a theme that also resonated with our Museum Curator, and he will certainly be putting the lessons he learned into making the McConnell Mansion a more intriguing home (not house) to visit.

AAM President Dr. Ford Bell welcoming fellowship recipients at the Conference
Create a living room for your community.  My very favorite session was titled "Itinerant Museums" and it highlighted three projects by organizations that actively sought to integrate their exhibit spaces into the surrounding community.  I was especially taken with the presentation by Olson Kundig Architects from Seattle.  In 2011, the company leased an empty retail space in the neighborhood in an effort to bring some energy back to a suppressed community.  The project, known as [storefront] became a three-year long experiment in exhibit design and collaboration.  Every installation was completed in one month and with a budget of $1000.  (To see some of these very cool exhibits, click here.)  While I was enamored with a number of the subjects showcased in [storefront] projects, I was even more inspired by the strong commitment to community that Olson Kundig demonstrated.  Not only were all of the installations achieved through collaboration with local nonprofits, business, or individuals, but the public at large was invited into each reimagined space as a contributor.  [storefront] became a living room for the community, a space where friends or strangers could enter into conversation or simply sit quietly in contemplation.  I absolutely adore that concept, and aspire to bring a similar space to Latah County.


A spectacular view of the Seattle from the Space Needle
 If we don't tell people about how great our museum is, no one else will.  Advocacy for museums is not something I had given a lot of thought to until very recently.  We practice a sort of informal advocacy already here at LCHS -- we invite the County Commissioners to lunch each fall at the Mansion, we communicate with city councils around the county, and we seek to increase our visibility in the community by participating in the county fair each year.  In these ways, we are asking our elected officials and stakeholders to recognize the value of our organization and the services we provide.  Yet, as a number of speakers at the Conference reminded me, advocacy is a year-round endeavor, not a once-a-year obligation.  Presentations covered every level of advocacy from the local to the state to the national.  Both as the Director of LCHS and as a board member of the Idaho Association of Museums, I am looking forward to employing some of the ideas I picked up in Seattle here in Latah County and in Boise.  Museums are an essential part of America's cultural landscape and serve as spaces for public education and dialogue.  As an advocate for all museums, but especially LCHS, I was energized by the ideas shared at the AAM Conference and am ready to roll up my sleeves!

Museum Curator Zach Wnek presented his work with QR codes at the Emerging Innovator's Forum, where I also shared my work utilizing HistoryPin.com

Want to know more?  I'd love to chat with you about my experiences at AAM!  Feel free to call, email, or stop by the Annex.



Thursday, May 22, 2014

Wahoo! Take a Ride with LCHS!

Hitch a ride with the LCHS Canyons and Bunchgrass Tour, as we take a look at historic South Latah County. We'll visit old favorites, like Genesee, Kendrick, Juliaetta and Troy; and we'll introduce you to even older ones, like Cordelia, Lone Star, Lenville, and Aspendale. We'll follow the old Nez Perce Trail and stop at the White Springs Ranch Museum. Departure from the Good Sam's parking lot (N. Eisenhower St.) will be at 8:00 a.m., and we'll arrive back in Moscow around 5:00 p.m. The cost is $50 per seat. Transportation, lunch, and our knowledgeable guides are included in the fee.

 To RSVP call (208) 882-1004 or email lchslibrary@latah.id.us.

And if you're in need of further convincing, check out these photos from last year's expedition. We're not giving away locations in the photos... you'll have to find out for yourself.












Thursday, May 15, 2014

Code Name: Digital Bridge

If you're a reader of a certain age, you'll remember when libraries and other research facilities relied heavily on card catalogs and reference librarians to help patrons locate materials.

Similarly, if you have visited the LCHS Centennial Annex in the last thirty years to research any variety of topics, you will also be familiar with the card catalog. Our 36 drawer filing system has been in place since the 1970's. Approximately 32,000 individual cards have been manually indexed, referencing our extensive document collection, maps, oral histories, and library of books. (Our sizable collection of photos possesses its own separate filing system.) The card catalog has been an essential tool for more than three decades, and now it is getting makeover so that it might continue to serve our needs for decades to come.

In September of 2013, the Idaho State Historical Society (ISHS) awarded LCHS a Community Assistance Grant of $2,500 to jump-start the conversion of our hard copy catalog into a searchable digital record. The official name of our mission is the Digital Bridge Project.

For the past several months, Taylor Howell, a student at the University of Idaho, has been working feverishly to complete the work hours provided by the ISHS grant in time for a May deadline. Taylor moves through each drawer, picking through the cards to locate information from a certain collection. The information on each card is entered into our database, called PastPerfect. There it will be available in an easily searchable format.

He is assisted by LCHS Museum Aide, Hannah Crawford. Together, they have worked through the cards indexing pamphlets, and nearly all of the small collections. During the execution of the grant project, volunteers Lynne McCreight and LeNelle McInturff have been instrumental in resolving discrepancies between entries in the database and the card catalog. We hope to have the Digital Bridge Project completed by December 2014.

We are excited to share with you our first steps on the Digital Bridge Project, and the foundation of a usable online catalog. We hope to make this resource available to our patrons as soon as possible. Please stay tuned for the completion of this exciting project!

The LCHS card catalog.
Each drawer in the cabinet is filled with
hundreds of cards to be entered into our database system.
Each card in the catalog references an item
or archive in the collections.
We extend a very special thank you to the Idaho State Historical Society for the generous grant, which has allowed us to tackle this project.  The Digital Bridge undoubtedly benefits both our staff and visiting researchers because it provides a comprehensive digital catalog that can be keyword searched for easy identification of relevant material.  As we strive to be of continued service to our community and to integrate modern technology with our rich historical collections, we rely on the support of the State Historical Society.